Teaching How to Safely Photograph Bullets in Flight

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Teaching How to Safely Photograph Bullets in Flight

The high-speed imaging class in the photographic sciences department at RIT has a tradition of photographing bullets in flight. As one of the few schools that train students in the skills required to achieve images like these, I thought it would be worthwhile to explain the equipment and procedures used.

Although the program has a history of ballistics photography, the program needed to update to new safety standards in order to have a firearm discharged in a laboratory classroom. A procedure was established where a safety officer trained in firearms was the only individual to handle and operate the firearm in the classroom. The firearm used in the lab is a .22 caliber bolt-action rifle. The bolt can easily be removed from this rifle to allow a laser to be positioned down the barrel. This is the quickest way to ensure the alignment of the bullet and the target. When not in use, the rifle is stored in a locked gun safe under the supervision of campus security and only brought to the lab when a ballistics shoot is being performed.

apple
A .22 caliber bullet moving at 1,200 feet per second slices through an apple in the classic high-speed shot. Photographed by Nasser Albahri at RIT.

The rifle is securely mounted to a gun vise that keeps the barrel aligned with a ballistics sensor, manufactured by Mumford Micro Systems, which is used to trigger a time machine camera controller. The ballistic sensor is made up of two infrared (IR) detectors mounted 4 inches apart. When a bullet traverses the two IR sensors, the microcontroller trips the high-speed flash at a desired time when the bullet is down range from the rifle. The accuracy of the trigger system is so precise that the location of a bullet only varies by a few millimeters from shot to shot.

tonysafetyofficer

Tony Yazback is the campus safety officer responsible for handling the rifle. The rifle shoots from right to left here. First, the bullet passes through the white tube, which is the ballistic sensor. A white piece of foam core stops a lot of the gun shot residue from getting in the air and basically making a mess. The peach is the target here. The bullet is stopped by the bullet trap held in place with a red strap on the table. The Spot Flash is wrapped in saran wrap to protect the lens and the flash trigger is on the tripod below the flash. The peach is viewed through a large Plexiglas shield.

For increased safety, the bullet is stopped by a bullet trap that is only a few inches outside the camera frame. The closer the bullet trap is to the target the less the target can cause splatters. This greatly decreases the mess and allows a much easier cleanup. The high-speed flash used in these images is a Spot Flash manufactured by Prism Science Works. The flash is an air gap flash that generates a clean flash with a duration of 500 nanoseconds. It’s fast enough to easily capture a .22 caliber bullet.

After the rifle is positioned to trigger the ballistic sensor, the students are ready to shoot objects that they bring to lab. The safety officer has final approval in what can be shot. Fruits and vegetables are acceptable, while hard objects like snow globes and alarm clocks are rejected due to the chances of a ricochet bullet. To guard against any unforeseen ricochets, the students are required to stand behind two large Plexiglas screens. Students are also required to wear safety glasses and ear protection during the lab.

Students aligning cameras and checking their exposures before a shot. They keep the shutter open and allow the fast flash to stop the action.
Students aligning cameras and checking their exposures before a shot. They keep the shutter open and allow the fast flash to stop the action.

The students use an open shutter technique to capture the images. The subject to be shot is placed on a stand. The position is adjusted to take into consideration the amount the bullet will slow down going through the target. The flash is triggered by hand to tests the exposure and focus. After the students all have focus and exposure set, the rifle is loaded. Everyone in the room is checked to see that safety glasses and ear protection are in place before the photography can start. The room’s lights go out, camera shutters are opened, the safety officer fires the rifle, and camera shutters are closed. Only after all the camera shutters are closed are the lights turned on again and the exposure checked. Using this procedure, we are able to limit risk and safely achieve some amazing high-speed images.

Students from this program find employment at a number of industries that utilize high-speed imagery. Former students are employed by NASA, Sandia Laboratories, and The Insurance Institute of Highway Safety.

Eggplant by David Lopez
Eggplant by David Lopez
Apple by David Lopez
Apple by David Lopez
The classic playing card shot. Photo by David Lopez.
The classic playing card shot. Photo by David Lopez.
Homemade ballistics jello is just uncolored jello made at three times the normal strength. Note the bullet is moving sideways. Photo by David Lopez.
Homemade ballistics jello is just uncolored jello made at three times the normal strength. Note the bullet is moving sideways. Photo by David Lopez.

I would like to extend special thanks to the following people that make these unique labs possible. Anthony Yazback (campus security), Michael Peres, Dr. Mary Mulligan, Amanda Kearney (Video supervision). I would also like to thank the students in the class for sharing images for this short article.

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Ted Kinsman

Ted Kinsman has worked as an optical engineer, a physicist, and a physics instructor before joining RIT to teach the technical side of imaging. He is one of the few active high-speed photographers able to photograph at times less than 1/1,000,000th of a second. Recently, Kinsman’s work has expanded to the x-ray region of the spectrum where he continues to explore imagery for books and magazines. His work has appeared on The Discovery Channel, Crime Scene Investigations (CSI), The X-Files, South Park, The Tyra Banks Show, and The Frozen Planet series. Kinsman is currently an Assistant Professor in the school of Photographic arts and sciences (SPAS) where he teaches in the Photographic Sciences Dept. at RIT.

View more articles by Ted Kinsman

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