We have blogged about American assemblage artist Ron Pippin’s work before, with a focus on his wunderkammer pieces. But he’s been busy since then. Fair warning: Much of Pippin’s work uses real animal parts, and although I personally find it very beautiful, some viewers may be disturbed and/or offended. [via The Automata / Automaton Blog]
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I am descended from 5,000 generations of tool-using primates. Also, I went to college and stuff. I am a long-time contributor to MAKE magazine and makezine.com. My work has also appeared in ReadyMade, c't – Magazin für Computertechnik, and The Wall Street Journal.
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