Makerspaces are Working Out

Makerspaces are Working Out

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This article appeared in Make: Vol. 40.
This article appeared in Make: Vol. 40.

โ€œIt’s like a gym where you get a membership to use the equipment.โ€ That was the basic idea for TechShop, as explainedย to me by founder Jim Newton at ourย first Maker Faire in April of 2006. He askedย me for a table so he could hang his sign,ย deliver his pitch, and see if people were interested.ย The fact that he showed up in a vintageย military transport vehicle had some bearingย on my decision to say yes. The interest provedย strong enough for Jim to get backers andย open the first TechShop in an industrial parkย in Menlo Park, California, in October 2006.

Almost from inception, TechShop was aย dream โ€” not only Jim’s but one shared by itsย members โ€” to have unlimited access to theย tools of a machine shop, plus new tools forย digital fabrication such as laser cutters andย 3D printers, for a modest monthly fee.

What do people really do at TechShop?ย There are a group of makers who show upย with a pretty clear idea of what they want toย do. They have a project to work on. Often itย has some practical or commercial application,ย and they lack a place where they couldย develop their idea into something real.ย Others show up and want to belong but don’tย have a project or purpose. They want to learnย how to use the tools, and maybe that will lead them somewhere. David Lang was one of those people, and he wrote about his experience in the book Zero to Maker.

Some have tried to implement what TechShop has done. In Shenzhen, China, I came across TechSpace. Others, while similar to TechShop, are different in that theyโ€™re locally owned and operated, such as Maker Works in Ann Arbor, Michigan.

Gui Cavalcanti, who started a similar shared workspace in 2004, learned some key lessons from its failure and started thinking of a new model. This became Artisanโ€™s Asylum in Somerville, Massachusetts, which now occupies a 24,000-square-foot space that was originally an envelope factory. He had a budget of $40,000 to open the space and outfit it. Most of the tools were used, either donated by members or acquired for the cost of removing them from a former worksite. Artisanโ€™s Asylum is most successful at building a community among its members, some of whom rent their own workspace. It has become not just a place to do your own work but a kind of โ€œcollaborative commons,โ€ to use the phrase from Jeremy Rifkinโ€™s book, The Zero Marginal Cost Society.

There are also quite a number of hackerspaces, which tend to be like clubs, almost always run by volunteers. Some are members-only and others are open to the public for free, like Noisebridge in San Francisco. Some hackerspaces are rather like an eccentricโ€™s garage full of scavenged treasure and forever awaiting someone to whip it into shape. A hackerspace is as much a meeting place as a workplace.

Artisanโ€™s Asylum represents what I might call a middle tier between large-scale TechShops and small-scale hackerspaces, a trend toward the professionalization of makerspaces. That is, they must be able to perform a core set of services to support membership growth. A makerspace needs to greet new members and provide basic safety training as well as offer workshops for members who arrive without project ideas.

Indeed, a gym is a good analogy to understand makerspaces. Todayโ€™s health clubs started out years ago as bodybuilding gyms. They were designed to meet the needs of a narrow, largely male membership. They werenโ€™t particularly friendly to newcomers or casual users. Yet something changed in our culture around physical fitness, and health clubs became more open and accommodating, to broaden membership by welcoming women as well as men, and the serious as well as the casual member. This is what weโ€™re seeing as makerspaces transition from volunteer efforts serving a small group of members.

Neil Gershenfeld designed and built Fab Labs, the first of which was opened in Boston in 2004. Gershenfeldโ€™s Center for Bits and Atoms might be considered the R&D lab for digital fabrication, with state-of-the-art tools organized in service of an inevitable vision of our technological future. While there are a variety of settings, from science museums to community colleges, Fab Labs are funded and managed in a top-down fashion thatโ€™s consistent with their academic origins. Independently, a growing number of makerspaces are getting established at universities, such as Yale, Georgia Tech, Case Western Reserve, and SMU. These spaces are designed for students and their projects.

It doesnโ€™t much matter what you call them โ€” TechShops, makerspaces, hackerspaces, or Fab Labs. Makers are doing cool stuff, and having access to tools, community, and mentors really does matter. We need more local places for makers to work out new ideas.

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DALE DOUGHERTY is the leading advocate of the Maker Movement. He founded Make: Magazine 2005, which first used the term โ€œmakersโ€ to describe people who enjoyed โ€œhands-onโ€ work and play. He started Maker Faire in the San Francisco Bay Area in 2006, and this event has spread to nearly 200 locations in 40 countries, with over 1.5M attendees annually. He is President of Make:Community, which produces Make: and Maker Faire.

In 2011 Dougherty was honored at the White House as a โ€œChampion of Changeโ€ through an initiative that honors Americans who are โ€œdoing extraordinary things in their communities to out-innovate, out-educate and out-build the rest of the world.โ€ At the 2014 White House Maker Faire he was introduced by President Obama as an American innovator making significant contributions to the fields of education and business. He believes that the Maker Movement has the potential to transform the educational experience of students and introduce them to the practice of innovation through play and tinkering.

Dougherty is the author of โ€œFree to Make: How the Maker Movement Is Changing our Jobs, Schools and Mindsโ€ with Adriane Conrad. He is co-author of "Maker City: A Practical Guide for Reinventing American Cities" with Peter Hirshberg and Marcia Kadanoff.

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