Making Connections
By Laura Cochrane
Photography by John Keatley
Neatly lined up along the walls of Len Cullumโs 1,500-square-foot north Seattle workshop are handmade Japanese chisels, saws, and planes.
In a building rumored to have once been a shark oil processing plant, Cullum, 46, creates Japanese-style shoji doors and windows, garden structures, and furniture.ย Cullum constructs these pieces using traditional joinery, a specialty where itโs crucial to be precise and to understand the temperamental qualities of wood because there arenโt any metal fasteners to hold together poorly measured or cut pieces. Port-Orford-cedar is his favorite wood to work with. โIt planes to an amazing sheen and it smells great,โ he says.
His philosophy dovetails with his work. โIโve long felt that life is largely about making connections. When connecting two ideas or people (or pieces of wood), not only is theย fit important, but also the type of connection,โ Cullum muses. โSome things benefit more from a flexible, freer connection, some from one tighter and more rigid. But none survive one that is sloppy or poorly fit.โ
Although he uses power tools for the larger cuts, he prefers handmade hand tools for the finer details. โThings that are made by hand have a kind of vibration to them,โ he says. โThe little inconsistencies, even ones you canโt consciously see, give it a life.โ
[make_slideshow slug=”len-cullums-workshop-in-seattle-wash” title=”Len Cullum’s workshop in Seattle, Wash.” link=”More photos of Len’s workshop”]
Above is an excerpt from MAKE Vol. 16. Are you one of the lucky souls who receives MAKE in the mail every few months? If not, you’re missing out!ย Subscribe today.
More from Len Cullum:
ADVERTISEMENT
