
Rather than a craft store or art shop, San Francisco-based artist Rachelle Reichertย prefers to harvest raw salt straight from the San Francisco Bay.
โI wasnโt as interested in making a copy,โ she says of her formal training in atelier painting, so she sought out familiar materials with strong associations of industry such as salt and steel.ย She uses allย types of salt, experimenting with table salt and salt blocks as well as the raw materials harvested from the bay.
Instead of trying to manipulate these materials to render an image from her mindโs eye, Reichert lets the material lead her. They can be quite difficult to control, forcing herย to be resourceful with her creativity.
Often using water in the place of her own hand, Reichert sculpts salt blocks in high-salinity baths. She grows salt crystals in glue. She experiments with varying proportions of salt and water, and salts of differing coarseness. She places sheets of galvanized steel in pools of salt water until the moisture evaporates. The salt crystallizes, adheres to the steel, begins corroding, and does not stop until the piece has completely self-destructed. As it hangs from a gallery wall, it bends and moves and changes from day to day. The artโs very chemical makeup causes it to corrode and waste away.
โDecay and growth are ultimately two sides of the same coin,โ she says. The entropic process drives Reichertโs creative philosophy, which she describes as โLetting go, releasing it, putting it in a format in which we can observe it and analyze it and appreciate it.โ
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