Servo Control Direct from Ableton Live
Sebastian Tomczak is able to control a servo directly from Ableton using a Teensy.
Take your creations beyond the workshop and onto the stage with diy music instruments! Let us show you how these creations range from simple, basic setups that produce beautiful sounds to more complex projects that require a greater level of engineering knowledge. With these tutorials and examples, we’ll guide you on this journey to make your own musical instrument for experimental, artistic or everyday use – so whether you’re starting out new or a seasoned sound creator, come explore the wonderful world of making your own music.
Sebastian Tomczak is able to control a servo directly from Ableton using a Teensy.
Bringing their Radiophonic Workshop to the web, the BBC attempt to recreate their classic Wobbulator and Ring Modulator sounds online, using JavaScript and HTML5.
Amanda Ghassaei built this fun Arduino-powered noisemaker: The glitchbox is a sample-based drum machine used for live audio or MIDI sequencing. The buttons on the front of the instrument play back nine audio samples stored in its memory. A switch on top records and loops sequences of these samples. Once a sequence is recorded, additional […]
Details are scarce on Compressorhead, this animatronic band. All we know is that it rocks. The video shows enough detail that it appears not to be a fake. I, for one, welcome our new robotic power chords.
OpenPipe’s MIDI-USB Shield connects an Arduino to an iPhone bagpipe app. I just love the breakout board which is long and studded with capacitive touch sensors. It can be used to create a pipe-like player for the setup for a more authentic feel. [via Hacked Gadgets]
Not sure how we missed this gem of a creation from 2012, but behold the Star Wars barrel organ, built by a team in Germany including Lego Certified Professional Rene Hoffmeister, in honor of the release of Star Wars Episode I in 3D. From team member Lorenz Lnggrtnr: We took the iconic Star Wars Main […]
We all have to start somewhere. Even though Amanda Ghassaei’s 3D printed records clock in at a sample rate of 11 khz and 5-6 bit resolution, the tracks produced are clearly recognizable, albeit shrouded in some noise.