Tools

Exorcising Billy Mays with the TV-B-Gone

Exorcising Billy Mays with the TV-B-Gone

Last week I was stranded in a waiting room. The old magazines didn’t really bug me, but listening to infomercials did. However, what really bothered me the most was when Billy Mays tried to sell me from the beyond the grave. Right then, I made a solemn vow not to endure that sales pitch ever again.
Fortunately for me, Maker Faire Rhode Island was just a few days away. I knew that I would be able to get my hands on a TV-B-Gone kit and build it at the soldering workshop. Maker Faire RI was a blast, and towards the end of the evening I settled down with the iron and got to work.

3D printing in glass

The Solheim Rapid Prototyping lab at the University of Washington was in the news last March for developing a new 3D printing process that uses ceramic powder as an inexpensive alternative to the pricier substrates that are currently the de facto standard for powder-bed processes. Well they’ve done it again, this time with 20 micron glass powder, which is formed into an object by layerwise application of a liquid binder. When the part is complete, it can be sintered in a kiln to produce a continuous glass part. The official UW online press release includes a telling quote from lab co-director Mark Ganter: “It became clear that if we could get a material into powder form at about 20 microns we could print just about anything.”

Make: Projects – “Pepakura-cast” metal pyramid puzzle

Make: Projects – “Pepakura-cast” metal pyramid puzzle

The idea of a hollow card or paper form buried in plain sand as a sacrificial mold for poured metal parts interested me. As the internet papercraft explosion has taught us, paper is really not a bad medium for 3D design, especially for the cost. Software like Pepakura will convert any 3D digital model into a papercraft one that can be printed out, cut out, folded up, and glued or taped together to make a reasonably accurate real-world replica of the original. What if, instead of using the paper as a positive representation, one were to use it simply as a negative space–a volume, supported by dry sand, that would survive just long enough to impart its form to molten metal poured inside?

As a first experiment, I designed a paper template for the pieces of a classic put-together puzzle often called “The Four Piece Pyramid.” The challenge is to use the four identical pieces to form a symmetrical three-sided pyramid. I chose this as form, first, because I think the puzzle is elegant; second, because all four pieces are identical so only one template design is required; and three, because the pieces are fairly simple, geometrically, and thus so are the templates.