Take your creations beyond the workshop and onto the stage with diy music instruments! Let us show you how these creations range from simple, basic setups that produce beautiful sounds to more complex projects that require a greater level of engineering knowledge. With these tutorials and examples, we’ll guide you on this journey to make your own musical instrument for experimental, artistic or everyday use – so whether you’re starting out new or a seasoned sound creator, come explore the wonderful world of making your own music.
The carriers tend to hide how to make ringtones so you’ll buy them, but there are a few good resources to make your own. This one is from FunMobile…How do I make mp3, m4a/AAC, wav ringtones? How do I make a mmf ringtone? How do I make a qcp ringtone? How do I make ringtones from CD? How do I make a polyphonic (midi) ringtone? Tons of screenshots and how to action. Link.
Neat photoset found on Flickr. After a crack appeared inthe case of my Sony MicroVault and it spilled all over the floor. I decided to mod it up, and spent a while looking for something cool. I found this cassette, and this is the result. B Side looks awesome. All in all, 2 hours of work and thinking, for a very simple, but I think rather cool mod for my old usb stick. Might be a fun project to add an iPod Shuffle to a tape adaptor. Link.
exogenous writes “A full-size working harpsichord made from Lego”. With the exception of the wire strings, this instrument is entirely constructed out of LEGO parts–the keyboard, jacks, jack rack, jack rail, plectra, soundboard, bridge, hitch pins, tuning pins, wrestplank, nut, case, legs, lid, lid stick, and music stand are all built out of interlocking ABS (Acrylonitrile-Butadiene-Styrene) plastic bricks and related pieces. There’s even a MP3 of it playing. Link.
The future of music mixing and sampling is here. It’s going to be around a ping pong table, with headbands…”We were playing ping pong with paddles that had piezo sensors in them. When the paddles hit the ball, they would actuate the starting and ending points of a sample – so the faster we played, the more ‘frantic’ the sonic output. It was a fun piece.” Link.
