The new issue of Make: is making its way to subscriber mailboxes and the digital version is available for Make: members and digital subscribers starting today. And it’s packed! What’s in the issue: In this issue’s cover story, we go inside how an FX team built a working R/C prop of the famous disembodied hand […]
The Maker Music Festival is back for it’s third year, and the call for makers is open! If you’ve got the groove and want to participate, you need to get signed up before April 16th. The lineup of exhibits and projects will be announced in late May. The festival is a celebration of all things […]
Our corporate mission is a joy to live up to: Contribute to culture and industry through creativity. We hit the trifecta with our recent boombox project with Joe Grand; it highlights all three key elements of our motto – culture, industry, and creativity. It involves hacker royalty, breakdancers, state-of-the-art circuit board manufacturing technology, rappers, a […]
Halloween is fast approaching, and what better way to weird out your neighbors and spook your guests than some creepy theremin music. A staple of suspenseful soundtracks and low rent sci-fi, this electronic musical instrument is controlled without physical contact by the musician.
Digital artist + RIT assoc. professor W.Michelle Harris makes a Rochester crosswalk sing and explores the boundaries of conceptual, digital art.
Creative musical interfaces are always a pleasure to find. This one was circulating around twitter this week and really caught our attention. This is the Abacusynth, by Elias Jarzombek. This interesting interface is a musical device that was inspired by how people interact with an abacus. By presenting an easy to understand physical interface, this […]
Studying an instrument is a lengthy and worthwhile process, but what if you want to rock out today? I made the Instant Star Guitar so that I could get right to the fun part of playing music. You might remember a video by the band “Axis of Awesome” (some cussing) who famously pointed out that the same 4-chord progression […]
